(in regards to the plot)
Elliot Hawthorne was thinking about windmills. He was thinking about jam jars too, but the jam jars just made him mad. At least the windmills were helping somewhat. Of course, the jars were still in plain sight, all recently washed and dried, sitting in a crate on the kitchen counter in Grandpa Samuel’s one-man cabin. When Elliot finally had enough of their prying nostalgia, he got up from the breakfast table, picked up the wooden crate and carried it out the back door. Then he was alone with comforting memories of tall, sleek wind turbines and their blades slicing through humid August air. But still, he was leaving anyway. No memory, no matter how comforting, could make him stay.
Out on one side of the backyard, knee-high grass looked yellow in the sunlight and on the other side blackberry bushes made short walls of leafy knots and dirt pathways. Birds seemed louder than normal, and Elliot considered scaring away a robin who was stealing newborn berries not ripe enough to pick. He stared and squinted—it was very sunny—and clapped once. The bird stopped, twitched, and carried on.
Inside the cabin, Elliot’s luggage guarded the front door. He packed light. A week’s worth of clothes. Jeans, T-shirts, button-fronts, khakis. When it came to which instrument he was going to take he would have preferred the banjo, but he chose his guitar because he figured people were less likely to judge a guitar like they would a banjo. He stared at the gray flannel duffle bag made by his grandmother and Elliot frowned, even though it was not sunny inside, and he felt for a moment he might not be able to breathe ever again.
It was the birds, I think, that inspired him because a few more tweets from outside forced Elliot to blink and pick up his bag. He wore the strap over his shoulder so the body rested on his back. Then with the neck of his guitar firmly gripped, he opened the screen door and it bounced shut behind him. He made it to the end of the dirt driveway, looked up and down the lineless asphalt road, and then walked back to the porch. The guitar was useless, he thought, and he was afraid people might expect more from him than he was really able to offer. He truly wasn’t outgoing. He locked the instrument inside the cabin and the screen door bounced again when he walked outside. And yet:
He jogged back, grabbed the guitar and never looked back, believing in his heart he was never coming back.
The country road was dead. Only birds playing in the treetops and bugs buzzing in the bush could be seen or heard. Neighbours, alone for miles in both directions, didn’t appear until the sun was high in the midday sky. And as Elliot’s sweat mounted and his feet burned inside his sneakers, his regrets piled high in his mind, somewhere in front of Grandpa Samuel’s lingering words of wisdom. Until he saw a looming mirage on the foreground.
A couple sat listlessly on lawn chairs, guarding vintage, sentimental garage sale gifts. There were tacky velvet paintings, cross-stitch in a frame and a few lamp shades made entirely of stained-glass. A sign, taped to an old typewriter, declared it all for sale, and the only thing Elliot stared at was a yellow bicycle leaning against a cardboard box.
He approached the couple as they protected their precious giveaways; he said Hello and they said Hello, questioning him with their glaring eyes, thinking he was some sort of drifter or gypsy, and in all likelihood wanted to snatch their shotgun from inside the garage before it was too late.
Elliot knelt down beside the bike and thumbed the metal spokes. “How much for the bike?” he asked.
With the husband ready to make a beeline to the garage, the wife said, “A tenner would do it.”
Elliot straightened, smiling with one corner of his mouth as he strapped his guitar strap over his chest. He bounced the bike on its skinny tires and sampled the cushioned seat. His smile grew wide as he finally straddled the yellow frame. Elliot handed the man a ten dollar bill and said Thank you and the couple said nothing.
Elliot pedalled a ways away, wiggling and worming, trying to get the hang of riding a bicycle again. And once he did get the hang of riding a bicycle again, Elliot Hawthorne was pretty pleased with himself. He and his garage-sale yellow bicycle were fast friends, venturing down stretches of highway, zooming across bridge-covered brooks and winding around bended lanes. He was smiling still, pedalling fast and hard, forgetting about the jam jars entirely and narrowing in on those wonderful memories of windmills.
Now, it was known that Elliot Hawthorne was naturally an outcast. Soon it was by choice, though he did everything in his power to conform. He spent his days keeping his mouth closed unless spoken to; something he wasn’t taught to do but became accustomed to at a very young age. He avoided crowds and public places as best he could without being a hermit (something Grandpa Samuel told him wasn’t very becoming). So, of course, Elliot would have avoided the Town he was now currently disrupting with his bicycle-riding if it weren’t for the fact that the parkway, which was leading him out of this place, was the only way out.
Leaving the stares and gasps of mothers and their children, the teenagers and young adults he had known so little about, standing on the sidewalks of the village, near the convenient stores and the coffee shops, Elliot pedalled out, down the bridge, over the brook and onto the next long, paved stretch of highway. It was about this time, that three university students, Gemma Lumley, Tom Doyle and Bridget Welles were found inside St. David’s conservatory, singing and playing in the college choir something about the love of an orchestra.
Returns next Tuesday
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